海明威的小说The killers的主题是什么，200左右，英文的~谢谢~

写作思路：首先要了解海明威的小说《杀手》的主要内容，然后梳理文章的主要情节，比如海明威的《杀手》是一篇耐人寻味、含义深刻的故事，从其结构形式和思想主题上来考察，都是一篇完美无缺的短篇小说典范。

正文：

"The killer" is about two killers who are hired to come to a small restaurant. They tie up the chef and wait for the boxer to appear. However, the murder plan fails because the boxer doesn't come. Little guy Nick rushed to the boxer's small apartment to inform the news, but saw that the boxer was indifferent to the impending death, waiting to be captured. Shocked, Nick returns to the restaurant and is determined to leave the city.

《杀手》讲述了两个杀手受人雇佣来到一家小餐馆，一边捆绑伙计厨师，一边等待拳击手的出现，谋杀计划却因拳击手没来而告失败。小伙计尼克赶到拳击手的小公寓去通风报信，却见拳击手对即将面临的杀身之祸无动于衷，等待束手就擒。倍感震惊的尼克回到餐馆，决意离开这个城市。

Hemingway's "the killer" is an intriguing and profound story. From the perspective of its structure and theme, it is a perfect short story model. Because of its superb narrative art and strong drama, his works are frequently included in various literary books and adapted into films for three times. Meanwhile, it has attracted the attention of literary researchers and critics.

海明威的《杀手》是一篇耐人寻味、含义深刻的故事，从其结构形式和思想主题上来考察，都是一篇完美无缺的短篇小说典范。因其高超的叙述艺术与浓厚的戏剧性，作品频繁地被收录到各种文学读本，并三次被改编成电影，同时还不停地受到文学研究者和批评界的关注。

The killer, published in 1927, is one of Hemingway's works after experiencing the first World War. It also shows his confused feelings.

《杀手》发表于1927年，也就是海明威经历了第一次世界大战后所作的作品之一，同样流露出了迷惘的情感。

The original intention of the lost generation is to refer to the young people who were killed in the first World War and those who survived but were in a state of spiritual and moral dissociation. In the history of literature, it refers to the American novelists who express the feelings of the lost generation. Hemingway is the leader of this group of writers.

迷惘的一代原意是指在第一次世界大战中被杀害的年轻人和幸存下来但在精神上和道德上处于游离状况的年轻人，而在文学史上是指表现迷惘一代生存下来的情感的美国小说家，其中海明威是这一作家群的领头羊。

The so-called perplexity is actually a kind of disillusionment after the war, that is, the worry about people's living conditions is not ideal. It is the writer's strong reaction to the impact of war, violence and death threat on people.

所谓迷惘，其实是指战后的一种幻灭的情绪，即对人们生存状况不理想所表现出的忧虑，是作家对战争、暴力和死亡威胁给人们带来的影响的强烈反应。

《杀人者》(The Killers)。海明威在这些小说里创造临危不惧、视死如归的“硬汉性格”。这类人物形象对后来美国通俗文学产生了影响。
反映了当时的美国社会，暴力等对美国年轻人的影响。

‘The Killers,’ Ernest Hemingway’s story about two hit men who come to a small town to kill a former prizefighter, was first published in the March 1927 issue of Scribner’s Magazine. Hemingway was paid two hundred dollars for the story, which was the first of his mature stories to appear in an American periodical. His original title for the story was‘The Matadors.’Hemingway included the story in his 1927 collection Men Without Women, and it also appears in The Nick Adams Stories (1972). ‘The Killers’ remains one of Hemingway’s most anthologized stories because it is representative of Hemingway’s style and the subjects that would occupy his work throughout his career. These subjects include the meaninglessness of human life, male camaraderie, and the inevitability of death, and Hemingway explores them using his signature short sentences, slang, and understatement.

还有

Hemingway claims to have written the story in a frenzy of inspiration on May 16, 1926, before lunch. Like many of his short stories, ‘‘The Killers’’ features Nick Adams, a typical Hemingway hero, one in a long line of Hemingway’s fictional selves. Hemingway introduced Nick Adams in his first collection of stories, In Our Time (1925). Nick is an adolescent in ‘‘The Killers,’’ and critics have argued that Nick’s experience with the hit men marks his initiation into adulthood and his introduction to evil and violence.

Ernest Hemingway’s gripping short story “The Killers” has fascinated readers and filmmakers for generations. Its first screen incarnation came in 1946, when director Robert Siodmak unleashed The Killers, helping to define the film noir style and launching the careers of Burt Lancaster and Ava Gardner in this archetypal masterpiece. In 1956, then-film student Andrei Tarkovsky tackled the story with a faithful 19-minute short. In 1964, Don Siegel—initially slated to direct the 1946 version—took it on, creating the first-ever made-for-TV feature, which would prove too violent for American audiences in the wake of JFK’s assassination. The Criterion Collection presents all three versions of this classic tale of amorality that asks why a man would silently welcome his fate with the passivity of a man already dead.

以及

The Short Stories of Ernest Hemingway Summary

Before he gained wide fame as a novelist, Ernest Hemingway established his literary reputation with his short stories. This collection, The Short Stories, originally published in 1938, is definitive. Among these forty-nine short stories are Hemingway's earliest efforts, written when he was a young foreign correspondent in Paris, and such masterpieces as "Hills Like White Elephants," "The Killers," "The Short, Happy Life of Francis Macomber," and "The Snows of Kilimanjaro."
Set in the varied landscapes of Spain, Africa, and the American Midwest, this collection traces the development and maturation of Hemingway's distinct and revolutionary storytelling style -- from the plain, bald language of his first story, "Up in Michigan," to the seamless prose and spare, eloquent pathos of "A Clean, Well-Lighted Place" to the expansive solitude of the "Big Two-Hearted River" stories. These stories showcase the singular talent of a master, the most important American writer of the twentieth century.

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Before he gained wide fame as a novelist, Ernest Hemingway established his literary reputation with his short stories. This collection, The Short Stories, originally published in 1938, is definitive. Among these forty-nine short stories are Hemingway's earliest efforts, written when he was a young foreign correspondent in Paris, and such masterpieces as "Hills Like White Elephants," "The Killers," "The Short, Happy Life of Francis Macomber," and "The Snows of Kilimanjaro." Set in the varied landscapes of Spain, Africa, and the American Midwest, this collection traces the development and maturation of Hemingway's distinct and revolutionary storytelling style -- from the plain, bald language of his first story, "Up in Michigan," to the seamless prose and spare, eloquent pathos of "A Clean, Well-Lighted Place" to the expansive solitude of the Big Two-Hearted River stories. These stories showcase the singular talent of a master, the most important American writer of the twentieth century.